Images

CaixaForum Madrid turns into a huge videogaming centre (28)

Madrid, 20 July 2021
From left to right: the director of CaixaForum Madrid, Isabel Fuentes, the deputy general director of ”la Caixa” Foundation, Elisa Durán, the curator Luca Carrubba and the corporate director of the Culture and Science Area of ”la Caixa” Foundation, Ignasi Miró, have presented in CaixaForum Madrid the exhibition entitled <i>Homo ludens. Video games to understand the present.</i>
From left to right: the director of CaixaForum Madrid, Isabel Fuentes, the deputy general director of ”la Caixa” Foundation, Elisa Durán, the curator Luca Carrubba and the corporate director of the Culture and Science Area of ”la Caixa” Foundation, Ignasi Miró, have presented in CaixaForum Madrid the exhibition entitled Homo ludens. Video games to understand the present.
The curator Luca Carrubba and the deputy general director of ”la Caixa” Foundation, Elisa Durán, have presented in CaixaForum Madrid the exhibition entitled <i>Homo ludens. Video games to understand the present.</i>
The curator Luca Carrubba and the deputy general director of ”la Caixa” Foundation, Elisa Durán, have presented in CaixaForum Madrid the exhibition entitled Homo ludens. Video games to understand the present.
<i>Homo Ludens</i> at CaixaForum Madrid until 31 October 2021.
Homo Ludens at CaixaForum Madrid until 31 October 2021.
<i>Homo Ludens,</i> brings together 58 pieces by 36 creators, consisting in video games, photographs, sculptures, videos and installations.
Homo Ludens, brings together 58 pieces by 36 creators, consisting in video games, photographs, sculptures, videos and installations.
The <i>Homo ludens. Video games to understand the present</i> exhibition will remain open until 31 October 2021 at CaixaForum Madrid.
The Homo ludens. Video games to understand the present exhibition will remain open until 31 October 2021 at CaixaForum Madrid.
The exhibition entitled <i>Homo ludens. Video games to understand the present</i> is a reflection on the central role of play in our culture, based on the phenomenon of video games.
The exhibition entitled Homo ludens. Video games to understand the present is a reflection on the central role of play in our culture, based on the phenomenon of video games.
The <i>Homo ludens. Video games to understand the present</i> exhibition will remain open until 31 October 2021 at CaixaForum Madrid.
The Homo ludens. Video games to understand the present exhibition will remain open until 31 October 2021 at CaixaForum Madrid.
<i>Homo Ludens,</i> brings together 58 pieces by 36 creators, consisting in video games, photographs, sculptures, videos and installations.
Homo Ludens, brings together 58 pieces by 36 creators, consisting in video games, photographs, sculptures, videos and installations.
<i>Homo Ludens</i> at CaixaForum Madrid until 31 October 2021.
Homo Ludens at CaixaForum Madrid until 31 October 2021.
The <i>Homo ludens. Video games to understand the present</i> exhibition includes works by such artists as Bill Viola, Daniel Canogar and Mónica Rikić.
The Homo ludens. Video games to understand the present exhibition includes works by such artists as Bill Viola, Daniel Canogar and Mónica Rikić.
<i>Homo Ludens</i> offers an interactive, innovative journey in which the spectator takes centre stage in a gamified, participatory experience.
Homo Ludens offers an interactive, innovative journey in which the spectator takes centre stage in a gamified, participatory experience.
The <i>Homo Ludens</i> exhibition analyses the phenomenon of video games as an industry, a medium of communication and an art in today’s society.
The Homo Ludens exhibition analyses the phenomenon of video games as an industry, a medium of communication and an art in today’s society.
<i>Homo Ludens</i> presents an anthropological look at video games, a cultural, aesthetic and artistic phenomenon essential in contemporary mass culture.
Homo Ludens presents an anthropological look at video games, a cultural, aesthetic and artistic phenomenon essential in contemporary mass culture.
<i>Homo Ludens. Video games to understand the present </i> in CaixaForum Madrid.
Homo Ludens. Video games to understand the present in CaixaForum Madrid.
<i>Homo Ludens. Video games to understand the present </i> exhibition in CaixaForum Madrid.
Homo Ludens. Video games to understand the present exhibition in CaixaForum Madrid.
<i>Homo Ludens</i> at CaixaForum Madrid until 31 October 2021.
Homo Ludens at CaixaForum Madrid until 31 October 2021.
Hamilton Mestizo, <i>Snake Unintelligent Agent – Colours, 2019.</i> Acrylic paint on wood, electronic components, Nokia 5110 screens, microcontrollers, piezoelectric sensor and programming. Courtesy of the artist.
Hamilton Mestizo, Snake Unintelligent Agent – Colours, 2019. Acrylic paint on wood, electronic components, Nokia 5110 screens, microcontrollers, piezoelectric sensor and programming. Courtesy of the artist.
Hamilton Mestizo, <i>Snake Unintelligent Agent – Colours, 2019.</i> Acrylic paint on wood, electronic components, Nokia 5110 screens, microcontrollers, piezoelectric sensor and programming. Courtesy of the artist.
Hamilton Mestizo, Snake Unintelligent Agent – Colours, 2019. Acrylic paint on wood, electronic components, Nokia 5110 screens, microcontrollers, piezoelectric sensor and programming. Courtesy of the artist.
Mónica Rikić, <i>The machine that plays alone, 2021.</i> ”la Caixa” Foundation production © Julieta Feroz.
Mónica Rikić, The machine that plays alone, 2021. ”la Caixa” Foundation production © Julieta Feroz.
Matteo Bittanti, IOCOSE, <i>Game Arthritis, 2011.</i> Digital print. Courtesy of the artist.
Matteo Bittanti, IOCOSE, Game Arthritis, 2011. Digital print. Courtesy of the artist.
Roc Herms, <i>Postcard from Home, 2015.</i> Courtesy of the artist.
Roc Herms, Postcard from Home, 2015. Courtesy of the artist.
<i>Neighbor,</i> Jake Elliott, Tamas Kemenczy and Ben Babbitt (Cardboard Computer). Triennale Game Collection, 2016.
Neighbor, Jake Elliott, Tamas Kemenczy and Ben Babbitt (Cardboard Computer). Triennale Game Collection, 2016.
<i>Il Filo Conduttore,</i> Mario von Rickenbach and Christian Etter. Triennale Game Collection, 2016.
Il Filo Conduttore, Mario von Rickenbach and Christian Etter. Triennale Game Collection, 2016.
Elianora and Phibbs, <i>Black Lives Matter en Fallout 4, 2020.</i> ©Nexus Mods.
Elianora and Phibbs, Black Lives Matter en Fallout 4, 2020. ©Nexus Mods.
Jeehyung Lee – Carnegie Mellon University, Stanford University (California, USA), <i>EteRNA,</i> 2010.
Jeehyung Lee – Carnegie Mellon University, Stanford University (California, USA), EteRNA, 2010.
Jeehyung Lee – Carnegie Mellon University, Stanford University (California, USA), <i>EteRNA,</i> 2010.
Jeehyung Lee – Carnegie Mellon University, Stanford University (California, USA), EteRNA, 2010.
Jeehyung Lee – Carnegie Mellon University, Stanford University (California, USA), <i>EteRNA,</i> 2010.
Jeehyung Lee – Carnegie Mellon University, Stanford University (California, USA), EteRNA, 2010.
Jeehyung Lee – Carnegie Mellon University, Stanford University (California, USA), <i>EteRNA,</i> 2010.
Jeehyung Lee – Carnegie Mellon University, Stanford University (California, USA), EteRNA, 2010.

CaixaForum Barcelona discovers the industrial architecture of Jean Prouvé (29)

Barcelona, 15 July 2021
Left to right: the curators Marjorie Occelli and Olivier Cinqualbre; the corporate director of the Culture and Science Area of ”la Caixa” Foundation, Ignasi Miró, and the director of CaixaForum Barcelona, Lluís Noguera, have presented in CaixaForum Barcelona the exhibition entitled <i>The Universe of Jean Prouvé. Architecture / Industry / Furniture</i>.
Left to right: the curators Marjorie Occelli and Olivier Cinqualbre; the corporate director of the Culture and Science Area of ”la Caixa” Foundation, Ignasi Miró, and the director of CaixaForum Barcelona, Lluís Noguera, have presented in CaixaForum Barcelona the exhibition entitled The Universe of Jean Prouvé. Architecture / Industry / Furniture.
Left to right: the curator Marjorie Occelli; the corporate director of the Culture and Science Area of ”la Caixa” Foundation, Ignasi Miró; the director of CaixaForum Barcelona, Lluís Noguera, and the curator Olivier Cinqualbre, have presented in CaixaForum Barcelona the exhibition entitled <i>The Universe of Jean Prouvé. Architecture / Industry / Furniture</i>.
Left to right: the curator Marjorie Occelli; the corporate director of the Culture and Science Area of ”la Caixa” Foundation, Ignasi Miró; the director of CaixaForum Barcelona, Lluís Noguera, and the curator Olivier Cinqualbre, have presented in CaixaForum Barcelona the exhibition entitled The Universe of Jean Prouvé. Architecture / Industry / Furniture.
<i>The Universe of Jean Prouvé. Architecture / Industry / Furniture.</i> CaixaForum Barcelona.
The Universe of Jean Prouvé. Architecture / Industry / Furniture. CaixaForum Barcelona.
<i>The Universe of Jean Prouvé. Architecture / Industry / Furniture.</i> CaixaForum Barcelona.
The Universe of Jean Prouvé. Architecture / Industry / Furniture. CaixaForum Barcelona.
<i>The Universe of Jean Prouvé. Architecture / Industry / Furniture</i> exhibition presents the French constructor who championed architecture with prefabricated elements and mass production for social ends.
The Universe of Jean Prouvé. Architecture / Industry / Furniture exhibition presents the French constructor who championed architecture with prefabricated elements and mass production for social ends.
There are some 235 pieces on display, including models, plans, photographs, drawings, furniture and documents, taken from the architecture and design collections of the Centre Pompidou in Paris.
There are some 235 pieces on display, including models, plans, photographs, drawings, furniture and documents, taken from the architecture and design collections of the Centre Pompidou in Paris.
The exhibition open from 15 July to 31 October 2021, this display is the second collaboration between the Centre Pompidou in Paris and ”la Caixa” Foundation, fruit of the agreement between the two institutions.
The exhibition open from 15 July to 31 October 2021, this display is the second collaboration between the Centre Pompidou in Paris and ”la Caixa” Foundation, fruit of the agreement between the two institutions.
<i>The Universe of Jean Prouvé. Architecture / Industry / Furniture.</i> CaixaForum Barcelona.
The Universe of Jean Prouvé. Architecture / Industry / Furniture. CaixaForum Barcelona.
<i>The Universe of Jean Prouvé. Architecture / Industry / Furniture.</i> CaixaForum Barcelona.
The Universe of Jean Prouvé. Architecture / Industry / Furniture. CaixaForum Barcelona.
<i>The Universe of Jean Prouvé. Architecture / Industry / Furniture.</i> CaixaForum Barcelona.
The Universe of Jean Prouvé. Architecture / Industry / Furniture. CaixaForum Barcelona.
<i>The Universe of Jean Prouvé. Architecture / Industry / Furniture.</i> CaixaForum Barcelona.
The Universe of Jean Prouvé. Architecture / Industry / Furniture. CaixaForum Barcelona.
<i>Jean Prouvé en un taburete núm. 307,</i> hacia 1952. Colección Centre Pompidou, París, Musée national d’art moderne-Centre de création industrielle. Fondo Jean Prouvé de la Biblioteca Kandinsky. Donación de la Familia Prouvé © Jean Prouvé, VEGAP, Barcelona, 2021.
Jean Prouvé en un taburete núm. 307, hacia 1952. Colección Centre Pompidou, París, Musée national d’art moderne-Centre de création industrielle. Fondo Jean Prouvé de la Biblioteca Kandinsky. Donación de la Familia Prouvé © Jean Prouvé, VEGAP, Barcelona, 2021.
Jean Prouvé, <i>Puerta de entrada de la casa, Reifenberg,</i> 1927. Colección Centre Pompidou, París, Musée national d’art moderne-Centre de création industrielle. Fondo Jean Prouvé de la Biblioteca Kandinsky. Donación de la Familia Prouvé © Jean Prouvé, VEGAP, Barcelona, 2021.
Jean Prouvé, Puerta de entrada de la casa, Reifenberg, 1927. Colección Centre Pompidou, París, Musée national d’art moderne-Centre de création industrielle. Fondo Jean Prouvé de la Biblioteca Kandinsky. Donación de la Familia Prouvé © Jean Prouvé, VEGAP, Barcelona, 2021.
Jean Prouvé, <i>Silla reclinable,</i> 1929. Colección Centre Pompidou, París, Musée national d’art moderne-Centre de création industrielle. Donación de la Familia Prouvé © Jean Prouvé, VEGAP, Barcelona, 2021.
Jean Prouvé, Silla reclinable, 1929. Colección Centre Pompidou, París, Musée national d’art moderne-Centre de création industrielle. Donación de la Familia Prouvé © Jean Prouvé, VEGAP, Barcelona, 2021.
Jean Prouvé, <i>Obras del aeroclub Roland Garros, fachada posterior, Buc (Yvelines),</i> hacia 1935. Colección Centre Pompidou, París, Musée national d’art moderne-Centre de création industrielle. Fondo Jean Prouvé de la Biblioteca Kandinsky. Donación de la Familia Prouvé © Jean Prouvé, VEGAP, Barcelona, 2021.
Jean Prouvé, Obras del aeroclub Roland Garros, fachada posterior, Buc (Yvelines), hacia 1935. Colección Centre Pompidou, París, Musée national d’art moderne-Centre de création industrielle. Fondo Jean Prouvé de la Biblioteca Kandinsky. Donación de la Familia Prouvé © Jean Prouvé, VEGAP, Barcelona, 2021.
Jean Prouvé, <i>Estudio de fachada en celosía («voile-grille»),</i> 1952. Colección Centre Pompidou, París, Musée national d’art moderne-Centre de création industrielle. Donación de la Familia Prouvé © Jean Prouvé, VEGAP, Barcelona, 2021.
Jean Prouvé, Estudio de fachada en celosía («voile-grille»), 1952. Colección Centre Pompidou, París, Musée national d’art moderne-Centre de création industrielle. Donación de la Familia Prouvé © Jean Prouvé, VEGAP, Barcelona, 2021.
Jean Prouvé, <i>Silla Caféteria,</i> 1950. Colección Centre Pompidou, París, Musée national d’art moderne-Centre de création industrielle. Donación de Catherine Drouin-Prouvé © Jean Prouvé, VEGAP, Barcelona, 2021.
Jean Prouvé, Silla Caféteria, 1950. Colección Centre Pompidou, París, Musée national d’art moderne-Centre de création industrielle. Donación de Catherine Drouin-Prouvé © Jean Prouvé, VEGAP, Barcelona, 2021.
Jean Prouvé, <i>Bocetos de sillones Visiteur, dibujo preparatorio para los cursos del CNAM,</i> sin fecha. Colección Centre Pompidou, París, Musée national d’art moderne-Centre de création industrielle. Donación de la Familia Prouvé © Jean Prouvé, VEGAP, Barcelona, 2021.
Jean Prouvé, Bocetos de sillones Visiteur, dibujo preparatorio para los cursos del CNAM, sin fecha. Colección Centre Pompidou, París, Musée national d’art moderne-Centre de création industrielle. Donación de la Familia Prouvé © Jean Prouvé, VEGAP, Barcelona, 2021.
Jean Prouvé, <i>Casa Tropique, tipo B,</i> 1949. Colección Centre Pompidou, París, Musée national d’art moderne-Centre de création industrielle. Donación de la Familia Prouvé © Jean Prouvé, VEGAP, Barcelona, 2021.
Jean Prouvé, Casa Tropique, tipo B, 1949. Colección Centre Pompidou, París, Musée national d’art moderne-Centre de création industrielle. Donación de la Familia Prouvé © Jean Prouvé, VEGAP, Barcelona, 2021.
Jean Prouvé, <i>Casa Métropole, Tourcoing (Nord),</i> hacia 1952. Colección Centre Pompidou, París, Musée national d’art moderne-Centre de création industrielle. Fondo Jean Prouvé de la Biblioteca Kandinsky. Donación de la Familia Prouvé © Jean Prouvé, VEGAP, Barcelona, 2021.
Jean Prouvé, Casa Métropole, Tourcoing (Nord), hacia 1952. Colección Centre Pompidou, París, Musée national d’art moderne-Centre de création industrielle. Fondo Jean Prouvé de la Biblioteca Kandinsky. Donación de la Familia Prouvé © Jean Prouvé, VEGAP, Barcelona, 2021.
Jean Prouvé, <i>Casa Coque, Salon des Arts Ménagers, París, Grand Palais,</i> 1951. Colección Centre Pompidou, París, Musée national d’art moderne-Centre de création industrielle. Fondo Jean Prouvé de la Biblioteca Kandinsky. Donación de la Familia Prouvé © Jean Prouvé, VEGAP, Barcelona, 2021.
Jean Prouvé, Casa Coque, Salon des Arts Ménagers, París, Grand Palais, 1951. Colección Centre Pompidou, París, Musée national d’art moderne-Centre de création industrielle. Fondo Jean Prouvé de la Biblioteca Kandinsky. Donación de la Familia Prouvé © Jean Prouvé, VEGAP, Barcelona, 2021.
Jean Prouvé, <i>Pupitre biplaza,</i> 1951. Colección Centre Pompidou, París, Musée national d’art moderne-Centre de création industrielle © Jean Prouvé, VEGAP, Barcelona, 2021.
Jean Prouvé, Pupitre biplaza, 1951. Colección Centre Pompidou, París, Musée national d’art moderne-Centre de création industrielle © Jean Prouvé, VEGAP, Barcelona, 2021.
Jean Prouvé, <i>Casa de la familia Prouvé, fachada principal, Nancy,</i> 1954. Colección Centre Pompidou, París, Musée national d’art moderne-Centre de création industrielle. Fondo Jean Prouvé de la Biblioteca Kandinsky. Donación de la Familia Prouvé © Jean Prouvé, VEGAP, Barcelona, 2021.
Jean Prouvé, Casa de la familia Prouvé, fachada principal, Nancy, 1954. Colección Centre Pompidou, París, Musée national d’art moderne-Centre de création industrielle. Fondo Jean Prouvé de la Biblioteca Kandinsky. Donación de la Familia Prouvé © Jean Prouvé, VEGAP, Barcelona, 2021.
Jean Prouvé, <i>Pabellón del Centenario del Aluminio, Quai d’Orsay,</i> 1954. Colección Centre Pompidou, París, Musée national d’art moderne-Centre de création industrielle. Fondo Jean Prouvé de la Biblioteca Kandinsky. Donación de la Familia Prouvé © Jean Prouvé, VEGAP, Barcelona, 2021.
Jean Prouvé, Pabellón del Centenario del Aluminio, Quai d’Orsay, 1954. Colección Centre Pompidou, París, Musée national d’art moderne-Centre de création industrielle. Fondo Jean Prouvé de la Biblioteca Kandinsky. Donación de la Familia Prouvé © Jean Prouvé, VEGAP, Barcelona, 2021.
Jean Prouvé, <i>Sillón de reposo Antony,</i> 1956. Colección Centre Pompidou, París, Musée national d’art moderne-Centre de création industrielle. Donación del Centre Régional des Œuvres Universitaires et Scolaires (CROUS) de l’Académie de Versailles © Jean Prouvé, VEGAP, Barcelona, 2021.
Jean Prouvé, Sillón de reposo Antony, 1956. Colección Centre Pompidou, París, Musée national d’art moderne-Centre de création industrielle. Donación del Centre Régional des Œuvres Universitaires et Scolaires (CROUS) de l’Académie de Versailles © Jean Prouvé, VEGAP, Barcelona, 2021.
Jean Prouvé, <i>Edificio industrializado,</i> maqueta, 1955 Aluminio y madera. Colección Centre Pompidou, París, Musée national d’art moderne-Centre de création industrielle. Donación de la Clarence Westbury Foundation © Jean Prouvé, VEGAP, Barcelona, 2021.
Jean Prouvé, Edificio industrializado, maqueta, 1955 Aluminio y madera. Colección Centre Pompidou, París, Musée national d’art moderne-Centre de création industrielle. Donación de la Clarence Westbury Foundation © Jean Prouvé, VEGAP, Barcelona, 2021.
Jean Prouvé,<i> Montaje del grupo escolar provisional, Villejuif (Val-de-Marne),</i> 1957. Colección Centre Pompidou, París, Musée national d’art moderne-Centre de création industrielle. Fondo Jean Prouvé de la Biblioteca Kandinsky. Donación de la Familia Prouvé © Jean Prouvé, VEGAP, Barcelona, 2021.
Jean Prouvé, Montaje del grupo escolar provisional, Villejuif (Val-de-Marne), 1957. Colección Centre Pompidou, París, Musée national d’art moderne-Centre de création industrielle. Fondo Jean Prouvé de la Biblioteca Kandinsky. Donación de la Familia Prouvé © Jean Prouvé, VEGAP, Barcelona, 2021.
Jean Prouvé, <i>Estación de servicio de autopistas Total, área de suministro, perspectiva,</i> 1968-1973. Colección Centre Pompidou, París, Musée national d’art moderne-Centre de création industrielle. Fondo Jean Prouvé de la Biblioteca Kandinsky. Donación de la Familia Prouvé © Jean Prouvé, VEGAP, Barcelona, 2021.
Jean Prouvé, Estación de servicio de autopistas Total, área de suministro, perspectiva, 1968-1973. Colección Centre Pompidou, París, Musée national d’art moderne-Centre de création industrielle. Fondo Jean Prouvé de la Biblioteca Kandinsky. Donación de la Familia Prouvé © Jean Prouvé, VEGAP, Barcelona, 2021.
Jean Prouvé, <i>Alpexpo, estudio, Grenoble,</i> 1967. Colección Centre Pompidou, París, Musée national d’art moderne-Centre de création industrielle. Donación de la Familia Prouvé © Jean Prouvé, VEGAP, Barcelona, 2021.
Jean Prouvé, Alpexpo, estudio, Grenoble, 1967. Colección Centre Pompidou, París, Musée national d’art moderne-Centre de création industrielle. Donación de la Familia Prouvé © Jean Prouvé, VEGAP, Barcelona, 2021.

teamLab brings its interactive, immersive artworks to CaixaForum Barcelona (26)

Barcelona, 17 May 2021
Elisa Durán, Deputy General Director of ”la Caixa” Foundation, Lluís Noguera, Director of CaixaForum Barcelona, and Ignasi Miró, Corporate director of Culture and Science, have presented the exhibition <i>teamLab. Art, Technology, Nature.</i>
Elisa Durán, Deputy General Director of ”la Caixa” Foundation, Lluís Noguera, Director of CaixaForum Barcelona, and Ignasi Miró, Corporate director of Culture and Science, have presented the exhibition teamLab. Art, Technology, Nature.
From left to right: the Corporate director of Culture and Science, Ignasi Miró; the deputy general director of ”la Caixa” Foundation, Elisa Durán, and the director of CaixaForum Barcelona, Lluís Noguera, presented the exhibition <i>teamLab. Art, Technology, Nature.</i>
From left to right: the Corporate director of Culture and Science, Ignasi Miró; the deputy general director of ”la Caixa” Foundation, Elisa Durán, and the director of CaixaForum Barcelona, Lluís Noguera, presented the exhibition teamLab. Art, Technology, Nature.
Exhibition <i> teamLab. Art, Technology, Nature.</i> © teamLab, 2021, ”la Caixa” Foundation.
Exhibition teamLab. Art, Technology, Nature. © teamLab, 2021, ”la Caixa” Foundation.
Exhibition <i> teamLab. Art, Technology, Nature.</i> © teamLab, 2021, ”la Caixa” Foundation.
Exhibition teamLab. Art, Technology, Nature. © teamLab, 2021, ”la Caixa” Foundation.
Exhibition <i> teamLab. Art, Technology, Nature.</i> © ”la Caixa” Foundation.
Exhibition teamLab. Art, Technology, Nature. © ”la Caixa” Foundation.
Exhibition <i> teamLab. Art, Technology, Nature.</i> © ”la Caixa” Foundation.
Exhibition teamLab. Art, Technology, Nature. © ”la Caixa” Foundation.
Exhibition <i> teamLab. Art, Technology, Nature.</i> © ”la Caixa” Foundation.
Exhibition teamLab. Art, Technology, Nature. © ”la Caixa” Foundation.
Exhibition <i> teamLab. Art, Technology, Nature.</i> © ”la Caixa” Foundation.
Exhibition teamLab. Art, Technology, Nature. © ”la Caixa” Foundation.
Exhibition <i>teamLab. Art, Technology, Nature.</i> © ”la Caixa” Foundation.
Exhibition teamLab. Art, Technology, Nature. © ”la Caixa” Foundation.
Exhibition <i> teamLab. Art, Technology, Nature.</i> © ”la Caixa” Foundation.
Exhibition teamLab. Art, Technology, Nature. © ”la Caixa” Foundation.
Exhibition <i> teamLab. Art, Technology, Nature.</i> © ”la Caixa” Foundation.
Exhibition teamLab. Art, Technology, Nature. © ”la Caixa” Foundation.
Exhibition <i> teamLab. Art, Technology, Nature.</i> © ”la Caixa” Foundation.
Exhibition teamLab. Art, Technology, Nature. © ”la Caixa” Foundation.
Exhibition <i> teamLab. Art, Technology, Nature.</i> © ”la Caixa” Foundation.
Exhibition teamLab. Art, Technology, Nature. © ”la Caixa” Foundation.
Exhibition <i> teamLab. Art, Technology, Nature.</i> © ”la Caixa” Foundation.
Exhibition teamLab. Art, Technology, Nature. © ”la Caixa” Foundation.
Exhibition <i> teamLab. Art, Technology, Nature.</i> © ”la Caixa” Foundation
Exhibition teamLab. Art, Technology, Nature. © ”la Caixa” Foundation
Exhibition <i> teamLab. Art, Technology, Nature.</i> © ”la Caixa” Foundation.
Exhibition teamLab. Art, Technology, Nature. © ”la Caixa” Foundation.
Exhibition <i> teamLab. Art, Technology, Nature.</i> © ”la Caixa” Foundation.
Exhibition teamLab. Art, Technology, Nature. © ”la Caixa” Foundation.
Exhibition <i> teamLab. Art, Technology, Nature.</i> © ”la Caixa” Foundation.
Exhibition teamLab. Art, Technology, Nature. © ”la Caixa” Foundation.
Exhibition <i> teamLab. Art, Technology, Nature.</i> © ”la Caixa” Foundation.
Exhibition teamLab. Art, Technology, Nature. © ”la Caixa” Foundation.
Exhibition <i> teamLab. Art, Technology, Nature.</i> © ”la Caixa” Foundation.
Exhibition teamLab. Art, Technology, Nature. © ”la Caixa” Foundation.
Exhibition <i> teamLab. Art, Technology, Nature.</i> © ”la Caixa” Foundation.
Exhibition teamLab. Art, Technology, Nature. © ”la Caixa” Foundation.
Sisyu + teamLab, <i>Born From the Darkness a Loving, and Beautiful World,</i> 2018, Interactive Digital Installation, Endless, Calligraphy: Sisyu, Sound: Hideaki Takahashi © teamLab, courtesy Pace Gallery.
Sisyu + teamLab, Born From the Darkness a Loving, and Beautiful World, 2018, Interactive Digital Installation, Endless, Calligraphy: Sisyu, Sound: Hideaki Takahashi © teamLab, courtesy Pace Gallery.
<i>Born From the Darkness a Loving, and Beautiful World,</i> teamLab , 2021, CaixaForum Barcelona © teamLab, courtesy Pace Gallery.
Born From the Darkness a Loving, and Beautiful World, teamLab , 2021, CaixaForum Barcelona © teamLab, courtesy Pace Gallery.
teamLab, <i>Graffiti Nature: Lost, Immersed and Reborn,</i> 2018, Interactive Digital Installation, Sound: Hideaki Takahashi © teamLab, courtesy Pace Gallery.
teamLab, Graffiti Nature: Lost, Immersed and Reborn, 2018, Interactive Digital Installation, Sound: Hideaki Takahashi © teamLab, courtesy Pace Gallery.
<i>Graffiti Nature: Lost, Immersed and Reborn,</i> teamLab , 2021, CaixaForum Barcelona © teamLab, courtesy Pace Gallery.
Graffiti Nature: Lost, Immersed and Reborn, teamLab , 2021, CaixaForum Barcelona © teamLab, courtesy Pace Gallery.
Takashi Kudo, a member of the teamLab art collective. © teamLab.
Takashi Kudo, a member of the teamLab art collective. © teamLab.

CaixaForum Madrid discovers how the human being portrays itself across different eras and cultures (23)

Madrid, 28 April 2021
From left to right: the Corporate director of Culture and Science, Ignasi Miró; the deputy general director of ”la Caixa” Foundation, Elisa Durán, and the director of CaixaForum Madrid, Isabel Fuentes, have presented in CaixaForum Madrid the exhibition entitled <i>The Human Image: Art, Identities and Symbolism</i>, a huge panorama of figurative art that transcends cultural, chronological and geographical borders.
From left to right: the Corporate director of Culture and Science, Ignasi Miró; the deputy general director of ”la Caixa” Foundation, Elisa Durán, and the director of CaixaForum Madrid, Isabel Fuentes, have presented in CaixaForum Madrid the exhibition entitled The Human Image: Art, Identities and Symbolism, a huge panorama of figurative art that transcends cultural, chronological and geographical borders.
From left to right: the Corporate director of Culture and Science, Ignasi Miró; the deputy general director of ”la Caixa” Foundation, Elisa Durán, and the director of CaixaForum Madrid, Isabel Fuentes, have presented in CaixaForum Madrid the exhibition entitled <i>The Human Image: Art, Identities and Symbolism</i>, a huge panorama of figurative art that transcends cultural, chronological and geographical borders.
From left to right: the Corporate director of Culture and Science, Ignasi Miró; the deputy general director of ”la Caixa” Foundation, Elisa Durán, and the director of CaixaForum Madrid, Isabel Fuentes, have presented in CaixaForum Madrid the exhibition entitled The Human Image: Art, Identities and Symbolism, a huge panorama of figurative art that transcends cultural, chronological and geographical borders.
<i>The Human Image: Art, Identities and Symbolism exhibition</i> exhibition in CaixaForum Madrid until 16 January 2022.
The Human Image: Art, Identities and Symbolism exhibition exhibition in CaixaForum Madrid until 16 January 2022.
The exhibition <i>The Human Image: Art, Identities and Symbolism exhibition</i> in CaixaForum Madrid.
The exhibition The Human Image: Art, Identities and Symbolism exhibition in CaixaForum Madrid.
The exhibition <i>The Human Image: Art, Identities and Symbolism exhibition</i> is a journey through one of the most recurring subjects of figurative art: the human being.
The exhibition The Human Image: Art, Identities and Symbolism exhibition is a journey through one of the most recurring subjects of figurative art: the human being.
<i>The Human Image: Art, Identities and Symbolism exhibition</i> explores the representation of the human being throughout the history of art, across different cultures and eras up to the present day.
The Human Image: Art, Identities and Symbolism exhibition explores the representation of the human being throughout the history of art, across different cultures and eras up to the present day.
<i>The Human Image: Art, Identities and Symbolism exhibition</i> organised by the British Museum and ”la Caixa” Foundation.
The Human Image: Art, Identities and Symbolism exhibition organised by the British Museum and ”la Caixa” Foundation.
<i>The Human Image: Art, Identities and Symbolism exhibition</i> includes a selection of works from the ”la Caixa” Contemporary Art Collection.
The Human Image: Art, Identities and Symbolism exhibition includes a selection of works from the ”la Caixa” Contemporary Art Collection.
<i>The Human Image: Art, Identities and Symbolism exhibition</i> juxtaposes iconic works of ancient civilisations with others of contemporary art, thus enabling transcultural comparisons to be made.
The Human Image: Art, Identities and Symbolism exhibition juxtaposes iconic works of ancient civilisations with others of contemporary art, thus enabling transcultural comparisons to be made.
<i>The Human Image: Art, Identities and Symbolism exhibition</i> is a huge panorama of figurative art that transcends cultural, chronological and geographical borders.
The Human Image: Art, Identities and Symbolism exhibition is a huge panorama of figurative art that transcends cultural, chronological and geographical borders.
Through 155 such, the display brings the holdings of the British Museum and collection of the ”la Caixa” Foundation into dialogue for the very first time.
Through 155 such, the display brings the holdings of the British Museum and collection of the ”la Caixa” Foundation into dialogue for the very first time.
Head in the style of Alexander the Great, Marble, Roman, 2nd Century AD. © Trustees of the British Museum.
Head in the style of Alexander the Great, Marble, Roman, 2nd Century AD. © Trustees of the British Museum.
Seated figure of the Buddha, Schist, 2nd-3rd Century AD, Gandhara, northwest Pakistan. © Trustees of the British Museum.
Seated figure of the Buddha, Schist, 2nd-3rd Century AD, Gandhara, northwest Pakistan. © Trustees of the British Museum.
Cycladic figure, Marble, about 2700-2500 BC, Keros, Cyclades, Greece. © Trustees of the British Museum.
Cycladic figure, Marble, about 2700-2500 BC, Keros, Cyclades, Greece. © Trustees of the British Museum.
Head of a queen or goddess, Granite, 18th Dynasty, about 1400–1390 BC, Possibly from Sais, Egypt. © Trustees of the British Museum.
Head of a queen or goddess, Granite, 18th Dynasty, about 1400–1390 BC, Possibly from Sais, Egypt. © Trustees of the British Museum.
Death mask, Gold, Roman, 1st-2nd Century AD, Jerusalem. © Trustees of the British Museum.
Death mask, Gold, Roman, 1st-2nd Century AD, Jerusalem. © Trustees of the British Museum.
<i>Korwar,</i> Wood, glass, Before AD 1865, Dore Bay, West Papua. © Trustees of the British Museum.
Korwar, Wood, glass, Before AD 1865, Dore Bay, West Papua. © Trustees of the British Museum.
Indira Gandhi story scroll, Scroll painting, ink and colours on paper, Around AD 1985, Ajit Chitraker of Theakuachack village, West Bengal, India. © Trustees of the British Museum.
Indira Gandhi story scroll, Scroll painting, ink and colours on paper, Around AD 1985, Ajit Chitraker of Theakuachack village, West Bengal, India. © Trustees of the British Museum.
Portrait of a woman, Tempera and encaustic on limewood, about AD 100-120, Saqqara, Egypt. © Trustees of the British Museum.
Portrait of a woman, Tempera and encaustic on limewood, about AD 100-120, Saqqara, Egypt. © Trustees of the British Museum.
Portrait of an Actor: Ichikawa Ebizō IV in a Scene from Shibaraku Utagawa Kunimasa (Japan, 1773-1810) 1796. Colored carving on paper. © Trustees of the British Museum.
Portrait of an Actor: Ichikawa Ebizō IV in a Scene from Shibaraku Utagawa Kunimasa (Japan, 1773-1810) 1796. Colored carving on paper. © Trustees of the British Museum.
<i>Hohoa</i> board, Wood and pigment, Late 19th/early 20th Century AD, Elema people, Papua New Guinea. © Trustees of the British Museum.
Hohoa board, Wood and pigment, Late 19th/early 20th Century AD, Elema people, Papua New Guinea. © Trustees of the British Museum.
Portrait Óscar Muñoz 2003-2004 Single-channel video, color, without sound, 28 min. © Collection ”la Caixa” Contemporary Art.
Portrait Óscar Muñoz 2003-2004 Single-channel video, color, without sound, 28 min. © Collection ”la Caixa” Contemporary Art.
Untitled (Study in Yellow and Red/Berlin) Dirk Schaper Studio, Berlin, June 21st, 2007 (No. 2) Christopher Williams. © Colección ”la Caixa”. Arte Contemporáneo.
Untitled (Study in Yellow and Red/Berlin) Dirk Schaper Studio, Berlin, June 21st, 2007 (No. 2) Christopher Williams. © Colección ”la Caixa”. Arte Contemporáneo.

CaixaForum Barcelona hosts a permanent installation of Symphony (27)

Barcelona, 8 April 2021
From left to right: the director of Musician and Digitals Projects Department, Núria Oller; the orchestra conductor, Gustavo Dudamel; the deputy general director of ”la Caixa” Banking Foundation, Elisa Durán; the founder of Igor Studio and project director, Igor Cortadellas, and the Corporate director of Culture and Science, Ignasi Miró, have inaugurated the permanent installation of <i>Symphony</i> in CaixaForum Barcelona, a virtual journey to the heart of classical music.
From left to right: the director of Musician and Digitals Projects Department, Núria Oller; the orchestra conductor, Gustavo Dudamel; the deputy general director of ”la Caixa” Banking Foundation, Elisa Durán; the founder of Igor Studio and project director, Igor Cortadellas, and the Corporate director of Culture and Science, Ignasi Miró, have inaugurated the permanent installation of Symphony in CaixaForum Barcelona, a virtual journey to the heart of classical music.
From left to right: the founder of Igor Studio and project director, Igor Cortadellas; the director of Musician and Digitals Projects Department, Núria Oller; the deputy general director of ”la Caixa” Banking Foundation, Elisa Durán; the Corporate director of Culture and Science, Ignasi Miró, and the orchestra conductor, Gustavo Dudamel, have inaugurated the permanent installation of <i>Symphony</i> in CaixaForum Barcelona, a virtual journey to the heart of classical music.
From left to right: the founder of Igor Studio and project director, Igor Cortadellas; the director of Musician and Digitals Projects Department, Núria Oller; the deputy general director of ”la Caixa” Banking Foundation, Elisa Durán; the Corporate director of Culture and Science, Ignasi Miró, and the orchestra conductor, Gustavo Dudamel, have inaugurated the permanent installation of Symphony in CaixaForum Barcelona, a virtual journey to the heart of classical music.
From left to right: the founder of Igor Studio and project director, Igor Cortadellas; the director of Musician and Digitals Projects Department, Núria Oller; the deputy general director of ”la Caixa” Banking Foundation, Elisa Durán; the Corporate director of Culture and Science, Ignasi Miró, and the orchestra conductor, Gustavo Dudamel, have inaugurated the permanent installation of <i>Symphony</i> in CaixaForum Barcelona, a virtual journey to the heart of classical music.
From left to right: the founder of Igor Studio and project director, Igor Cortadellas; the director of Musician and Digitals Projects Department, Núria Oller; the deputy general director of ”la Caixa” Banking Foundation, Elisa Durán; the Corporate director of Culture and Science, Ignasi Miró, and the orchestra conductor, Gustavo Dudamel, have inaugurated the permanent installation of Symphony in CaixaForum Barcelona, a virtual journey to the heart of classical music.
From left to right: the orchestra conductor, Gustavo Dudamel; the deputy general director of ”la Caixa” Banking Foundation, Elisa Durán, and the founder of Igor Studio and project director, Igor Cortadellas, have inaugurated the permanent installation of <i>Symphony</i> in CaixaForum Barcelona, a virtual journey to the heart of classical music.
From left to right: the orchestra conductor, Gustavo Dudamel; the deputy general director of ”la Caixa” Banking Foundation, Elisa Durán, and the founder of Igor Studio and project director, Igor Cortadellas, have inaugurated the permanent installation of Symphony in CaixaForum Barcelona, a virtual journey to the heart of classical music.
As from this Saturday, ”la Caixa” Foundation’s cultural centre will host a permanent exhibition dedicated to <i>Symphony.</i>
As from this Saturday, ”la Caixa” Foundation’s cultural centre will host a permanent exhibition dedicated to Symphony.
CaixaForum Barcelona hosts a permanent installation of <i>Symphony.</i>
CaixaForum Barcelona hosts a permanent installation of Symphony.
Following the success of the touring exhibition premiere in the Catalan capital last September, CaixaForum Barcelona hosts a permanent installation of <i>Symphony.</i>
Following the success of the touring exhibition premiere in the Catalan capital last September, CaixaForum Barcelona hosts a permanent installation of Symphony.
CaixaForum Barcelona hosts a permanent installation of <i>Symphony</i> to offer spectators a chance to experience and enjoy classical music as they have never done before.
CaixaForum Barcelona hosts a permanent installation of Symphony to offer spectators a chance to experience and enjoy classical music as they have never done before.
CaixaForum Barcelona hosts a permanent installation of <i>Symphony.</i> In a space specifically designed to host this exhibition throughout the coming years.
CaixaForum Barcelona hosts a permanent installation of Symphony. In a space specifically designed to host this exhibition throughout the coming years.
CaixaForum Barcelona hosts a permanent installation of <i>Symphony.</i>
CaixaForum Barcelona hosts a permanent installation of Symphony.
Final filming took place in the Gran Teatro del Liceo de Barcelona in August 2019.
Final filming took place in the Gran Teatro del Liceo de Barcelona in August 2019.
The latest technology was employed to record the sound for <i>Symphony</i>. Rehearsal at Gran Teatro del Liceo (Barcelona) with the orchestra conductor Gustavo Dudamel.
The latest technology was employed to record the sound for Symphony. Rehearsal at Gran Teatro del Liceo (Barcelona) with the orchestra conductor Gustavo Dudamel.
<i>Symphony</i> rehearsal at Gran Teatro del Liceo (Barcelona) with the orchestra conductor Gustavo Dudamel.
Symphony rehearsal at Gran Teatro del Liceo (Barcelona) with the orchestra conductor Gustavo Dudamel.
Igor Cortadellas, the founder of Igor Studio and project director <i>Symphony</i>, a virtual journey to the heart of classical music.
Igor Cortadellas, the founder of Igor Studio and project director Symphony, a virtual journey to the heart of classical music.
The visual concept of this virtual reality experience combines live-action 360º real imagery with computer generated imagery (CGI) and visual effects created through VFX.. <i>Symphony</i>.
The visual concept of this virtual reality experience combines live-action 360º real imagery with computer generated imagery (CGI) and visual effects created through VFX.. Symphony.
David Bagué, luthier. <i>Symphony</i>.
David Bagué, luthier. Symphony.
From the outset, ”la Caixa” Foundation opted for virtual reality as the best way to tell the story.
From the outset, ”la Caixa” Foundation opted for virtual reality as the best way to tell the story.
A virtual journey to the heart of classical music. A film by ”la Caixa” Foundation. With music by Beethoven, Maher y Bernstein.
A virtual journey to the heart of classical music. A film by ”la Caixa” Foundation. With music by Beethoven, Maher y Bernstein.
After four years in production, ”la Caixa” Foundation announces the world premiere of this emotional experience delivered through virtual reality technology.
After four years in production, ”la Caixa” Foundation announces the world premiere of this emotional experience delivered through virtual reality technology.
<i>Symphony</i> project employs virtual reality (VR) technology to offer spectators a chance to experience and enjoy classical music as they have never done before, inviting them to feel like one of the musicians in the orchestra.
Symphony project employs virtual reality (VR) technology to offer spectators a chance to experience and enjoy classical music as they have never done before, inviting them to feel like one of the musicians in the orchestra.
The premiere of the two films that comprise this itinerant project – written and directed by Igor Cortadellas – will take place at CosmoCaixa, where they can be seen up to 8 October.
The premiere of the two films that comprise this itinerant project – written and directed by Igor Cortadellas – will take place at CosmoCaixa, where they can be seen up to 8 October.
After CosmoCaixa, <i>Symphony</i> start a tour which will last ten years and take in around a hundred towns and cities in Spain and Portugal.
After CosmoCaixa, Symphony start a tour which will last ten years and take in around a hundred towns and cities in Spain and Portugal.
<i>Symphony</i> will begin a ten-year tour which will include a hundred towns and cities in Spain and Portugal.
Symphony will begin a ten-year tour which will include a hundred towns and cities in Spain and Portugal.
<i>Symphony</i> comprises two mobile pop-up units which are assembled to make two cinemas, each covering a hundred square metres.
Symphony comprises two mobile pop-up units which are assembled to make two cinemas, each covering a hundred square metres.
In all, more than 250 people worked and collaborated to make this project a reality. <i>Symphony</i>.
In all, more than 250 people worked and collaborated to make this project a reality. Symphony.
Three young musicians from different parts of the world take centre stage in this introductory production, filmed in Colombia, New York and on the Mediterranean coast.
Three young musicians from different parts of the world take centre stage in this introductory production, filmed in Colombia, New York and on the Mediterranean coast.
This immersive experience lasts about forty minutes, divided into two stages.
This immersive experience lasts about forty minutes, divided into two stages.

CaixaForum Madrid discovers the industrial architecture of Jean Prouvé (29)

Madrid, 4 March 2021
<i>The Universe of Jean Prouvé. Architecture / Industry / Furniture.</i> CaixaForum Madrid.
The Universe of Jean Prouvé. Architecture / Industry / Furniture. CaixaForum Madrid.
<i>The Universe of Jean Prouvé. Architecture / Industry / Furniture</i> exhibition presents the French constructor who championed architecture with prefabricated elements and mass production for social ends.
The Universe of Jean Prouvé. Architecture / Industry / Furniture exhibition presents the French constructor who championed architecture with prefabricated elements and mass production for social ends.
There are some 235 pieces on display, including models, plans, photographs, drawings, furniture and documents, taken from the architecture and design collections of the Centre Pompidou in Paris.
There are some 235 pieces on display, including models, plans, photographs, drawings, furniture and documents, taken from the architecture and design collections of the Centre Pompidou in Paris.
The exhibition open from 4 March to 13 June 2021, this display is the second collaboration between the Centre Pompidou in Paris and ”la Caixa” Foundation, fruit of the agreement between the two institutions
The exhibition open from 4 March to 13 June 2021, this display is the second collaboration between the Centre Pompidou in Paris and ”la Caixa” Foundation, fruit of the agreement between the two institutions
<i>The Universe of Jean Prouvé. Architecture / Industry / Furniture.</i> CaixaForum Madrid.
The Universe of Jean Prouvé. Architecture / Industry / Furniture. CaixaForum Madrid.
<i>The Universe of Jean Prouvé. Architecture / Industry / Furniture.</i> CaixaForum Madrid.
The Universe of Jean Prouvé. Architecture / Industry / Furniture. CaixaForum Madrid.
<i>The Universe of Jean Prouvé. Architecture / Industry / Furniture.</i> CaixaForum Madrid.
The Universe of Jean Prouvé. Architecture / Industry / Furniture. CaixaForum Madrid.
<i>The Universe of Jean Prouvé. Architecture / Industry / Furniture.</i> CaixaForum Madrid.
The Universe of Jean Prouvé. Architecture / Industry / Furniture. CaixaForum Madrid.
<i>The Universe of Jean Prouvé. Architecture / Industry / Furniture.</i> CaixaForum Madrid.
The Universe of Jean Prouvé. Architecture / Industry / Furniture. CaixaForum Madrid.
<i>The Universe of Jean Prouvé. Architecture / Industry / Furniture.</i> CaixaForum Madrid.
The Universe of Jean Prouvé. Architecture / Industry / Furniture. CaixaForum Madrid.
<i>The Universe of Jean Prouvé. Architecture / Industry / Furniture.</i> CaixaForum Madrid.
The Universe of Jean Prouvé. Architecture / Industry / Furniture. CaixaForum Madrid.
<i>Jean Prouvé en un taburete núm. 307,</i> hacia 1952. Colección Centre Pompidou, París, Musée national d’art moderne-Centre de création industrielle. Fondo Jean Prouvé de la Biblioteca Kandinsky. Donación de la Familia Prouvé © Jean Prouvé, VEGAP, Barcelona, 2021.
Jean Prouvé en un taburete núm. 307, hacia 1952. Colección Centre Pompidou, París, Musée national d’art moderne-Centre de création industrielle. Fondo Jean Prouvé de la Biblioteca Kandinsky. Donación de la Familia Prouvé © Jean Prouvé, VEGAP, Barcelona, 2021.
Jean Prouvé, <i>Puerta de entrada de la casa, Reifenberg,</i> 1927. Colección Centre Pompidou, París, Musée national d’art moderne-Centre de création industrielle. Fondo Jean Prouvé de la Biblioteca Kandinsky. Donación de la Familia Prouvé © Jean Prouvé, VEGAP, Barcelona, 2021.
Jean Prouvé, Puerta de entrada de la casa, Reifenberg, 1927. Colección Centre Pompidou, París, Musée national d’art moderne-Centre de création industrielle. Fondo Jean Prouvé de la Biblioteca Kandinsky. Donación de la Familia Prouvé © Jean Prouvé, VEGAP, Barcelona, 2021.
Jean Prouvé, <i>Silla reclinable,</i> 1929. Colección Centre Pompidou, París, Musée national d’art moderne-Centre de création industrielle. Donación de la Familia Prouvé © Jean Prouvé, VEGAP, Barcelona, 2021.
Jean Prouvé, Silla reclinable, 1929. Colección Centre Pompidou, París, Musée national d’art moderne-Centre de création industrielle. Donación de la Familia Prouvé © Jean Prouvé, VEGAP, Barcelona, 2021.
Jean Prouvé, <i>Obras del aeroclub Roland Garros, fachada posterior, Buc (Yvelines),</i> hacia 1935. Colección Centre Pompidou, París, Musée national d’art moderne-Centre de création industrielle. Fondo Jean Prouvé de la Biblioteca Kandinsky. Donación de la Familia Prouvé © Jean Prouvé, VEGAP, Barcelona, 2021.
Jean Prouvé, Obras del aeroclub Roland Garros, fachada posterior, Buc (Yvelines), hacia 1935. Colección Centre Pompidou, París, Musée national d’art moderne-Centre de création industrielle. Fondo Jean Prouvé de la Biblioteca Kandinsky. Donación de la Familia Prouvé © Jean Prouvé, VEGAP, Barcelona, 2021.
Jean Prouvé, <i>Estudio de fachada en celosía («voile-grille»),</i> 1952. Colección Centre Pompidou, París, Musée national d’art moderne-Centre de création industrielle. Donación de la Familia Prouvé © Jean Prouvé, VEGAP, Barcelona, 2021.
Jean Prouvé, Estudio de fachada en celosía («voile-grille»), 1952. Colección Centre Pompidou, París, Musée national d’art moderne-Centre de création industrielle. Donación de la Familia Prouvé © Jean Prouvé, VEGAP, Barcelona, 2021.
Jean Prouvé, <i>Silla Caféteria,</i> 1950. Colección Centre Pompidou, París, Musée national d’art moderne-Centre de création industrielle. Donación de Catherine Drouin-Prouvé © Jean Prouvé, VEGAP, Barcelona, 2021.
Jean Prouvé, Silla Caféteria, 1950. Colección Centre Pompidou, París, Musée national d’art moderne-Centre de création industrielle. Donación de Catherine Drouin-Prouvé © Jean Prouvé, VEGAP, Barcelona, 2021.
Jean Prouvé, <i>Bocetos de sillones Visiteur, dibujo preparatorio para los cursos del CNAM,</i> sin fecha. Colección Centre Pompidou, París, Musée national d’art moderne-Centre de création industrielle. Donación de la Familia Prouvé © Jean Prouvé, VEGAP, Barcelona, 2021.
Jean Prouvé, Bocetos de sillones Visiteur, dibujo preparatorio para los cursos del CNAM, sin fecha. Colección Centre Pompidou, París, Musée national d’art moderne-Centre de création industrielle. Donación de la Familia Prouvé © Jean Prouvé, VEGAP, Barcelona, 2021.
Jean Prouvé, <i>Casa Tropique, tipo B,</i> 1949. Colección Centre Pompidou, París, Musée national d’art moderne-Centre de création industrielle. Donación de la Familia Prouvé © Jean Prouvé, VEGAP, Barcelona, 2021.
Jean Prouvé, Casa Tropique, tipo B, 1949. Colección Centre Pompidou, París, Musée national d’art moderne-Centre de création industrielle. Donación de la Familia Prouvé © Jean Prouvé, VEGAP, Barcelona, 2021.
Jean Prouvé, <i>Casa Métropole, Tourcoing (Nord),</i> hacia 1952. Colección Centre Pompidou, París, Musée national d’art moderne-Centre de création industrielle. Fondo Jean Prouvé de la Biblioteca Kandinsky. Donación de la Familia Prouvé © Jean Prouvé, VEGAP, Barcelona, 2021.
Jean Prouvé, Casa Métropole, Tourcoing (Nord), hacia 1952. Colección Centre Pompidou, París, Musée national d’art moderne-Centre de création industrielle. Fondo Jean Prouvé de la Biblioteca Kandinsky. Donación de la Familia Prouvé © Jean Prouvé, VEGAP, Barcelona, 2021.
Jean Prouvé, <i>Casa Coque, Salon des Arts Ménagers, París, Grand Palais,</i> 1951. Colección Centre Pompidou, París, Musée national d’art moderne-Centre de création industrielle. Fondo Jean Prouvé de la Biblioteca Kandinsky. Donación de la Familia Prouvé © Jean Prouvé, VEGAP, Barcelona, 2021.
Jean Prouvé, Casa Coque, Salon des Arts Ménagers, París, Grand Palais, 1951. Colección Centre Pompidou, París, Musée national d’art moderne-Centre de création industrielle. Fondo Jean Prouvé de la Biblioteca Kandinsky. Donación de la Familia Prouvé © Jean Prouvé, VEGAP, Barcelona, 2021.
Jean Prouvé, <i>Pupitre biplaza,</i> 1951. Colección Centre Pompidou, París, Musée national d’art moderne-Centre de création industrielle © Jean Prouvé, VEGAP, Barcelona, 2021.
Jean Prouvé, Pupitre biplaza, 1951. Colección Centre Pompidou, París, Musée national d’art moderne-Centre de création industrielle © Jean Prouvé, VEGAP, Barcelona, 2021.
Jean Prouvé, <i>Casa de la familia Prouvé, fachada principal, Nancy,</i> 1954. Colección Centre Pompidou, París, Musée national d’art moderne-Centre de création industrielle. Fondo Jean Prouvé de la Biblioteca Kandinsky. Donación de la Familia Prouvé © Jean Prouvé, VEGAP, Barcelona, 2021.
Jean Prouvé, Casa de la familia Prouvé, fachada principal, Nancy, 1954. Colección Centre Pompidou, París, Musée national d’art moderne-Centre de création industrielle. Fondo Jean Prouvé de la Biblioteca Kandinsky. Donación de la Familia Prouvé © Jean Prouvé, VEGAP, Barcelona, 2021.
Jean Prouvé, <i>Pabellón del Centenario del Aluminio, Quai d’Orsay,</i> 1954. Colección Centre Pompidou, París, Musée national d’art moderne-Centre de création industrielle. Fondo Jean Prouvé de la Biblioteca Kandinsky. Donación de la Familia Prouvé © Jean Prouvé, VEGAP, Barcelona, 2021.
Jean Prouvé, Pabellón del Centenario del Aluminio, Quai d’Orsay, 1954. Colección Centre Pompidou, París, Musée national d’art moderne-Centre de création industrielle. Fondo Jean Prouvé de la Biblioteca Kandinsky. Donación de la Familia Prouvé © Jean Prouvé, VEGAP, Barcelona, 2021.
Jean Prouvé, <i>Sillón de reposo Antony,</i> 1956. Colección Centre Pompidou, París, Musée national d’art moderne-Centre de création industrielle. Donación del Centre Régional des Œuvres Universitaires et Scolaires (CROUS) de l’Académie de Versailles © Jean Prouvé, VEGAP, Barcelona, 2021.
Jean Prouvé, Sillón de reposo Antony, 1956. Colección Centre Pompidou, París, Musée national d’art moderne-Centre de création industrielle. Donación del Centre Régional des Œuvres Universitaires et Scolaires (CROUS) de l’Académie de Versailles © Jean Prouvé, VEGAP, Barcelona, 2021.
Jean Prouvé, <i>Edificio industrializado,</i> maqueta, 1955 Aluminio y madera. Colección Centre Pompidou, París, Musée national d’art moderne-Centre de création industrielle. Donación de la Clarence Westbury Foundation © Jean Prouvé, VEGAP, Barcelona, 2021.
Jean Prouvé, Edificio industrializado, maqueta, 1955 Aluminio y madera. Colección Centre Pompidou, París, Musée national d’art moderne-Centre de création industrielle. Donación de la Clarence Westbury Foundation © Jean Prouvé, VEGAP, Barcelona, 2021.
Jean Prouvé,<i> Montaje del grupo escolar provisional, Villejuif (Val-de-Marne),</i> 1957. Colección Centre Pompidou, París, Musée national d’art moderne-Centre de création industrielle. Fondo Jean Prouvé de la Biblioteca Kandinsky. Donación de la Familia Prouvé © Jean Prouvé, VEGAP, Barcelona, 2021.
Jean Prouvé, Montaje del grupo escolar provisional, Villejuif (Val-de-Marne), 1957. Colección Centre Pompidou, París, Musée national d’art moderne-Centre de création industrielle. Fondo Jean Prouvé de la Biblioteca Kandinsky. Donación de la Familia Prouvé © Jean Prouvé, VEGAP, Barcelona, 2021.
Jean Prouvé, <i>Estación de servicio de autopistas Total, área de suministro, perspectiva,</i> 1968-1973. Colección Centre Pompidou, París, Musée national d’art moderne-Centre de création industrielle. Fondo Jean Prouvé de la Biblioteca Kandinsky. Donación de la Familia Prouvé © Jean Prouvé, VEGAP, Barcelona, 2021.
Jean Prouvé, Estación de servicio de autopistas Total, área de suministro, perspectiva, 1968-1973. Colección Centre Pompidou, París, Musée national d’art moderne-Centre de création industrielle. Fondo Jean Prouvé de la Biblioteca Kandinsky. Donación de la Familia Prouvé © Jean Prouvé, VEGAP, Barcelona, 2021.
Jean Prouvé, <i>Alpexpo, estudio, Grenoble,</i> 1967. Colección Centre Pompidou, París, Musée national d’art moderne-Centre de création industrielle. Donación de la Familia Prouvé © Jean Prouvé, VEGAP, Barcelona, 2021.
Jean Prouvé, Alpexpo, estudio, Grenoble, 1967. Colección Centre Pompidou, París, Musée national d’art moderne-Centre de création industrielle. Donación de la Familia Prouvé © Jean Prouvé, VEGAP, Barcelona, 2021.
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